Houdini Jobs

Trabajo en la posproducción de un videoclip de 4 minutos y necesito que un especialista en diseño 3D/VFX integre un tsunami en movimiento con apariencia totalmente realista. Alcance del encargo • Insertar la ola gigante en la mitad y al final del video. a partir de que la camara gire para que se vea el mar. • Mantener una interacción moderada: el agua debe pasar por delante y detrás de los objetos y personajes ya presentes, solo llegando a impactar y desaparecerme del videoclip en el final. • Entregar el clip final compuesto y, si es posible, los archivos fuente (capas, proyecto de After Effects, Cinema 4D, Blender u otro software que prefieras). Lo que aporto • Videoclip en alta resolución. • Referencias visuales y mar...

I’m finishing a short independent film and need a sharp-eyed VFX artist to polish a handful of scenes. The brief is straightforward: make the shots feel as if everything was captured in-camera. Here’s what the work involves: • Object manipulation – adding or removing small props so continuity is seamless • Bullet fire and blood trajectories that sell the impact without looking stylised • A few hero shots where AI-driven generative video will help rebuild or extend background elements that can’t be reshot Everything must match the existing footage in lighting, grain and movement; the final look is entirely realistic, not stylised or cartoonish. Deliverables I expect: • Finished, composited shots ready to drop into the edit (ProRes 4:2:2 or ...

I have an intense action sequence that needs believable blood work integrated directly onto both the performer and the surrounding set. The raw plates are ready in 4-K ProRes, complete with camera-move data; what’s missing is that visceral hit—splatters on the jacket, mist in the air, streaks on the floor and wall, all reacting naturally to lighting and movement. You’re free to choose the aesthetic—realistic, stylised, or something in-between—so long as it feels cohesive with the footage and amps up the energy. I’ll supply clean plates, reference frames, and any additional camera-tracking files you need. Whether you prefer After Effects with Element 3D, Nuke, Blender, or even Houdini, just let me know; the only requirement is that the final composite ma...